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Dance Luminary Matthew Ball on Demanding Roles and Online Scrutiny: 'I Don't Feel Precious About My Body'

In the hushed ambiance of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's carriage is naturally upright, his limbs defined beneath a simple tee. During performances, dancers can appear like mighty gods, yet frequently in person they are petite. Not so Ball, whose tall stature is one reason for his popularity for heroic roles and partnering. With fine features and piercing eyes, there's a touch of a brooding actor about him.

An Apparent Rise to the Top

Now 31, Ball is enjoying the peak of a career that has advanced seamlessly. Growing up in Liverpool, he faced little ridicule for his childhood interest in ballet. Joining the Royal Ballet School at 11, he moved directly into the company and was promoted each year, reaching the highest position of lead dancer in 2018. He has relished taking on substantial characters, particularly the psychological angst found in a famed choreographer's ballets.

"Your breath is short, your legs get heavy, but it’s really a neural fatigue."

His upcoming starring appearance is in a talk, in an "Evening With" event designed to offer behind-the-scenes insights into a performer's art. He will guide the audience through a part, demonstrating his cognitive process while performance. Yet in more comedic works, the test is profound. "A classic ballet is one of the toughest technically," he states.

The Mental Game and Post-Performance Emotions

What about following a show, when he has succeeded? "It's pretty good," he admits. "However because I'm trying to extract all the juice out of it, and get immersed in the role, quite often I do feel self-conscious later. After an intense role I'm always like: Wow, what must people think?"

In person, Ball is thoughtful, polite, and quick to laugh at himself. Yet a dance maker once observed on a "kind of suffering in him." Is there? "I am very energetic usually, but I do have a melancholy streak," he reveals. "I somewhat enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."

Early Motivations and Creative Influences

His determination stemmed from youthful experiences. Not doing well in contests at school made him "vengeful!" It was motivation to prove he could achieve. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit obsessive," he remembers.

An upcoming challenge is making his own dance works. For Ball, "there's nothing wrong with." "Breaking the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with substance, drawing inspiration from literature, music, and art.

Close-Up Performance and Personal Dynamic

He additionally favors staging dance in smaller spaces. "It was just really exciting," he says of a previous experience. "You’re so near to the audience. I felt as if they were thinking: 'That’s a human, and they’re perspiring.'"

Ball has made duets with his partner, fellow principal Mayara Magri. The degree of faith between them is clear. "We first practiced on a beach," he says of a daring lift. "It was like Dirty Dancing." The couple aren’t typically matched on stage at their main theater, which is perhaps beneficial. "We’re both quite determined people, so it’s not always hunky dory," he admits. "Yet I feel like we’re each other’s biggest cheerleader."

Regarding Instagram and Physical Image

On Instagram, fans can see videos from his projects and images that showcase a athletic form. Does he mind that the engagement can be somewhat objectifying? Not really. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to viewing Michelangelo’s David—an object that can be interpreted on multiple levels.

Ball characterizes his early self as "eager for success." Did it lived up to his hopes? "I feel very aware of how reality is a separate thing to the aspirations you made as a child," he muses. He probably has another ten years of performing ahead. "I guess in the time to come, I want to be a bit more kind with myself."

By

Sharon Golden

Elena is a seasoned engineer with over a decade of experience in smart manufacturing and industrial automation.

Alpha Factory Lines

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